18, rue Claude Pouillet PARIS |
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«PARIS C’EST PARIS» Because there are so many things to see, you just have to stay in the city center. |
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A quiet hotel |
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| A very peaceful hotel located in a very quiet street in the heart of a lively neighborhood . You will appreciate the relaxing atmosphere of our garden. |
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A warm welcome |
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Our team will gladly help and advise you. Do not hesitate to contact us if you need further information. |
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A renovated and cosy hotel |
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The hotel has undergone a complete refurbishment in 2001 and is maintained daily . |
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Our references |
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The only hotel in the neighborhood recommended by so many guides |
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Our buffet breakfast is included : |
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Enjoy our buffet breakfast in the breakfast room, in your room or in the garden. |
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Air-conditioned, bright and cosy rooms : |
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Discover our stylish rooms, entirely decorated by an interior decorator. They offer top-quality mattresses and air conditioning. |
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Access, maps, itineraries and public transportation : |
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Ask us for advice concerning itineraries . Print your maps and contact us for further information. |
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Garages : |
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Secured garages open round the clock and located right next to the hotel. They offer many available parking spaces. |
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Visit PARIS and enjoy the neighborhood : |
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You can follow our advice for touring PARIS and also enjoy our lively neighborhood: the Parc Monceau, the market of the Rue de Lévis (so French!) and the many restaurants and cafés. |
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These are a few of Paris' major districts.
Two of Paris's oldest and famous gardens are the Tuileries Garden, created from the 16th century for a palace on the banks of the Seine near the Louvre, and the Left bank Luxembourg Garden, another formerly private garden belonging to a château built for the Marie de' Medici in 1612. The Jardin des Plantes, created by Louis XIII's doctor Guy de La Brosse for the cultivation of medicinal plants, was Paris' first public garden.
A few of Paris' other large gardens are Second Empire creations: the formerly suburban parks of Montsouris, Buttes Chaumont and Parc Monceau (formerly known as the "folie de Chartres"), were creations of Napoleon III's engineer Jean-Charles Alphand and the landscape . You will often see Pariseans having picnics at the parks, soaking up the warm sunshine, or simply enjoying the nature. They are peaceful escapes from the city and are enjoyed by all ages. Another project executed under the orders of Baron Haussmann
architect Barillet-Deschamps was the re-sculpting of Paris' western Bois de Boulogne forest-parklands; the Bois de Vincennes, to Paris' opposite eastern end, received a similar treatment in years following.
Newer additions to Paris' park landscape are the Parc de la Villette, built by the architect Bernard Tschumi on the location of Paris' former slaughterhouses, and gardens being lain to Paris' periphery along the traces of its former circular "Petite Ceinture" railway line.
Paris' existing inner-city cemeteries were to its outskirts upon their 1804 creation. Many of Paris' churches had their own parish cemeteries, but these by the late 18th century contributed to making living conditions quite unsanitary in an ever-growing Capital. Abolished from 1786, all parish cemeteries were excavated their contents taken to abandoned limestone mines outside the southern gates of then Paris, today the 14e arrondissement's place Denfert-Rochereau. The latter are known today as the Paris Catacombes.
Although Paris today has once again grown to surround all its former extra-muros cemeteries, these have become all-too-rare and much-appreciated oases of quiet, greenery and sculpture in a thriving city. Many of Paris's illustrious historical figures have found rest in Père Lachaise Cemetery. Other notable cemeteries include Cimetière de Montmartre, Cimetière du Montparnasse, Cimetière de Passy and the Catacombs of Paris.
Paris created new suburban cemeteries for its dead from the early 20th century: the largest of these are the Cimitière Parisien de Saint-Ouen, the Cimitière Parisien de Bobigny-Pantin, the Cimitière Parisien d'Ivry and the Cimitière Parisien de Bagneux.
Paris in its early history had only the Seine and Bièvre rivers for water. Later forms of irrigation were: a first-century Roman aqueduct from southerly Wissous (later left to ruin); sources from the Right bank hills from the late 11th century; from the 15th-century an aqueduct built roughly along the path of the first; finally, from 1809, the canal de l'Ourcq began providing Paris with water from less polluted rivers away from the Capital. Paris would only have its first constant and plentiful source of drinkable water from the late 19th-century: from 1857, under Napoleon III's Préfet Haussmann, the civil engineer Eugène Belgrand oversaw the construction of a series of new aqueducts that would bring sources from distant locations to reservoirs built in the highest points of the Capital. The new sources became Paris' principal source of drinking water, and the remains of the old system, pumped into lower levels of the same reservoirs, were from then dedicated to the cleaning of Paris' streets. This system is still a major part of Paris' modern water supply network.
Paris has over 2,400 km of underground passageways [15] dedicated to the evacuation of Paris' liquid wastes. Most of these even today date from the late 19th century, a result of the combined plans of the Préfet Haussmann and the civil engineer Eugène Belgrand to improve the then very unsanitary conditions in the Capital. Maintained by a round-the-clock service since their construction, only a small percentage of Paris' sewer réseau has needed complete renovation. The entire Paris network of sewers and collectors is been managed since the late 20th century by a computerised network system, known under the acronym "G.A.AS.PAR", that controls all of Paris' water distribution, even the flow of the river Seine through the capital.
The Louvre is one of the largest and most famous museums, housing many works of art, including the Mona Lisa (La Joconde) and the Venus de Milo statue. Works by Pablo Picasso and Rodin are found in Musée Picasso and Musée Rodin respectively, while the artistic community of Montparnasse is chronicled at the Musée du Montparnasse. Starkly apparent with its service-pipe exterior, the Centre Georges Pompidou, also known as Beaubourg, houses the Musée National d'Art Moderne. Lastly, art and artifacts from the Middle Ages and Impressionist eras are kept in Musée Cluny and Musée d'Orsay respectively, the former with the prized tapestry cycle The Lady and the Unicorn.
Opera
Paris' largest Opera houses are the 19th-century Opéra Garnier and modern Opera Bastille; the former tends towards the more classic ballets and operas, and the latter provides a mixed repertoire of classic and modern.
Theatre/Concert halls
Theatre traditionally has had a large place in Parisian culture. This still holds true today, although, perhaps strangely, many of its most popular actors today are also stars of French television. A few of Paris' major theatres are Bobino, Théâtre Mogador and the Théâtre de la Gaîté-Montparnasse. Some Parisian theatres also doubled as concert halls.
Many of France's greatest musical legends such as Édith Piaf, Maurice Chevalier, Georges Brassens and Charles Aznavour found their fame in Paris concert halls: legendary yet still-showing examples of these are Bobino, l'Olympia, la Cigale and le Splendid.
The below-mentioned Élysées-Montmartre, much reduced from its original size, is a concert hall today. The New Morning is one of few Parisian clubs still holding jazz concerts, but the same also specialises in 'Indy' music. More recently, the Zenith hall in Paris' La Villette quarter and a "parc-omnisports" stadium in Bercy serve as large-scale rock concert halls.
Dancehalls/Discotheques
Guinguettes and Bals-concerts were the backbone of Parisian entertainment before the mid-20th century. Early to mid-19th century examples were the Moulin de la Galette guinguette and the Élysées-Montmartre and Chateau-Rouge dancehalls-gardens. Popular orchestral fare gave way to the Parisian accordionists of lore whose music moved the Apollo and le Java faubourg du Temple and Belleville dance-hall crowds. Out of the clubs remaining from this era grew the modern discothèque: Le Palace, although closed today, is Paris' most legendary example. Today, much of the clubbing in Paris happens in clubs like Le Queen, L'Etoile, Le Cab which are highly selective. Electronic music oriented clubs such as Le Rex, the Batofar (a boat converted into a club) or The Pulp are quite popular and the world's best DJs play there.
Cinema
Parisians tend to share the same movie-going trends as many of the world's global cities, that is to say with a dominance of Hollywood-generated film entertainment. French cinema comes a close second, with major directors (réalisateurs) such as Claude Lelouch, Jean-Luc Godard, Claude Chabrol and Luc Besson, and the more slapstick/popular genre with director Claude Zidi as an example. European and Asian films are also widely shown and appreciated. A specialty of Paris is its very large network of small movie theaters: on a given week the movie fan has the choice between around 300 old or new movies from all over the world.
Many of Paris' concert/dance halls were transformed into movie theatres when the media became popular from the 1930s. Later most of the largest cinemas were divided into multiple, smaller rooms: Paris' largest cinema today is by far le Grand Rex theatre with 2800 seats, while other cinemas all have less than 1000 seats. There is now a trend toward modern complexes with more than 10 or 20 screens in the same building.
Cafés quickly became an integral part of French culture from their appearance, namely from the opening of the left bank Café Procope in 1689 and the café Régence at the Palais-Royale one year earlier. The cafés in the gardens of the latter locale became a quite popular through the 18th-century, and can be considered Paris' first "terrace cafés"; these would not become widespread until sidewalks and boulevards began to appear from the mid-19th century. Cafés are an almost obligatory stop on the way to or from work for many Parisians, and especially during lunchtime.
Paris' culinary reputation has its base in the many origins of its inhabitants. With the early-19th-century railways and ensuing industrial revolution came a flood of migration that brought with it all the gastronomical diversity of France's many different regions, and maintained through 'local speciality' restaurants catering to the tastes of people from all. "Chez Jenny" is a typical example of a restaurant specialising in the cuisine of the Alsace region, and "Aux Lyonnais" is another with a traditional fare originating from its city name's region. Of course migration from even more distant climes meant an even greater culinary diversity, and today, in addition to a great number of North African and Asian establishments, in Paris one can find top-quality cuisine from virtually the world over.
Hotels were another result of widespread travel and tourism, especially Paris' late-19th century Expositions Universelles (World's Fairs). Of the most luxurious of these, the Hôtel Ritz appeared in the Place Vendôme from 1898, and the Hôtel de Crillon opened its doors to the north of the place de la Concorde from 1909.
Paris had always been a destination for traders, students and those on religious pilgrimages, but its 'tourism' in the proper sense of the term began on a large scale only with the appearance of rail travel, namely from state organisation of France's rail network from 1848. One of Paris' first 'mass' attractions drawing international interest were, from 1855, the above-mentioned Expositions Universelles that would bring Paris many new monuments, namely the Eiffel tower from 1889. These, in addition to the Capital's 2nd Empire embellishments, did much to make the city itself the attraction it is today.
Paris' museums and monuments are by far its highest-esteemed attractions, and tourist interest has been nothing but a benefit to these; tourism has even motivated both city and State to create new ones. The city's most prized museum, the Louvre, sees over 6 million visitors a year. Paris' cathedrals are another main attraction: its Notre-Dame cathedral and Sacré-Coeur basilica receive 12 million and 8 million visitors respectively. The Eiffel tower, by far Paris' most famous monument, averages over 6 million visitors per year. Disneyland Resort Paris is a major tourist attraction not only for visitors to Paris, but to Europe as well, with 12.4 million visitors in 2004.
Many of Paris' once-popular local establishments have metamorphised into a parody of French culture, in a form catering to the tastes and expectations of tourist capital. The Moulin Rouge cabaret-dancehall, for example, is a staged dinner theatre spectacle, a dance display that was once but one aspect of the cabaret's former atmosphere. All of the establishment's former social or cultural elements, such as its ballrooms and gardens, are gone today. Much of Paris' hotel, restaurant and night entertainment trades have become heavily dependent on tourism, with results not always positive for Parisian culture.
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